America's last genre-director
I had seen Escape from New York before, but
it was The Thing that converted me into a John Carpenter fan.
It started in December 1982 during a midnight
preview in the Passage Theather, Hamburg. The hall was filled with a jolly
audience. Nobody knew what was going to happen in the next 109 minutes.
In those times, films still could surprise you. The Universal Studios really
managed it to keep the monster a big secret. In todayís internet-age, this
is a nearly impossible task. The grotesque creatures of a perverted fantasy
hit the spectators like a hammer. I ground my fingers into the armchair,
when Norris transformed into the monster, his torso ripped open and a line
of sharkteeth bit off the arms of poor Dr. Copper. You really could see,
how his stumps were floundering when he fell screaming to the ground. Out
of the open stomach jumped a creature from hell with tentacles, slime and
giant teethes. And this wasn't everything! Screaming, his head veered from
the neck, dragging a trail of viscous, green slime behind. Spiderlegs were
breaking out of the head and "head over heels" this monstrosity was crawling
away. It was dead-silence in the hall. You could have heard a pin drop.
After the show everybody left sweaty and in silence. I was completely thrilled!
Of course, it would be totally wrong reducing
Thing only on these shock-sequences. The film, respectively John carpenter's
work in general is more complex than splatter scenes. But it were
those effects, that blew my mind outta the armchair when I was19 years
The John Carpenter / Kurt Russell Fan-Club
A few days later, after I've seen The Thing,
I joined the John Carpenter/ Kurt Russell Fan Club. I had discovered
the ad in an orderlist for collectibles. The fanclub was founded in July
'82 with a strongpoint on EFNY. It lasted a while until the first
fanzine TRACER came out in summer'83. The content was quite good,
but the layout was dilettante (even for that time) and the photocopies
lousy. In October '83 I met Sabine Thaler, the publisher of the fanzine
during the Jedi-Con in Frankfurt (Germany's first, big Star Wars Convention!).
She told me that the 2nd issue will already be the last number and offered
me the "leadership" of the club. Because I always wanted to publish my
own 'zine and the comic fanzine, I had worked for, had just been canceled,
I took the offer.
Originally I wanted to turn the club into something
big, but I refrained from that thought pretty fast. The effort and cost
would have been immense. Time and money were valuable resources, I had
only very little of at that time. During the preparations of my first fanzine,
I was also fighting to master my Abitur (final exam). But thanks to the
commitment of the members, TRACER #3 could be released relative
fast in April '84. The issue was CHRISTNE and SILKWOOD orientated,
which just had started in the theaters. The circumstance that I smuggled
myself into the press preview of CHRISTINE helped me getting the
issue done. A school-friend had seen the red and white Plymouth Fury Hardtop
Model 1958 in front of a garage and called me. I raced to the place to
see the unbelievable myself... and there she was! In awe I surrounded the
car and gently touched the cold metal. A view in the inside was disillusioned
and revealed a pretty shabby condition. After my mind started to function
again, I came to the conclusion that Christine's presence can only mean
one thing - a press preview! This evening I was standing in front of the
Streit's, the theater where most of the press presentations took place
at that time. The Plymouth was parking in front of the foyer and nobody
checked the invitations. In general this is only done for "big premieres".
After the show I bullied my way through the people to get a press kit.
It was a blast! In triumph I returned home. It was wise to get some sleep,
because the next morning I had to face my final exam in the 3rd exam course.
I took over the club during a pretty difficult
time of my life. In school I had to fight for every point passing my Abitur
(final exam). All that learning for nothing pissed me off. I stand away
from the plans I had for years studying art or graphic design. An established
cartoonist scene like today didn't existed. We were all single combatants.
Disillusioned and not quite knowing what to do with my life, I found myself
in the bizarre men's world of the army. This wasn't so great either.
My ancient cast-iron, black Continental typewriter
broke. Getting forward with the work on issue #4 I typed after duty in
the lecture-room of the staff recruits during boot camp. The pages of the
were mainly filled with translations of American magazines like Starlog,
Fangoria or Cinefantastique, as well as media reports and PR-material.
I've to stress out again that this was before the computer- and internet
age. Video had just been established as a new media. Cable TV didn't exist.
American special interest magazines were my only source of information
that I had to obtain expensive as imports. Most German SF-magazines were
short-lived and the fandom just started to get organize. Trying not too
much sound like a bigmouth, but we were the pioneers of toadyís merchandising-overkill!
The club was active in a time, when John Carpenter
was degenerating in the public from cult-director to fallen wonderboy,
because of financial flops and sadly also because of some creative disappointments.
THING was brilliant, but a giant flop. CHRISTINE was more of
a makeshift, after his FIRESTARTERproject had failed. STARMAN
was a "nice" but a very "untypical" John Carpenter movie and BIG TROUBLE
IN LITTLE CHINA is in all aspects, financial and creative a failure.
Under these circumstances it's difficult keeping a fan club alive.
In May '87 with #8 I put the fan club at rest
and quit publishing the TRACER. The JC/KR FC didn't revolutionized
the fandom, but among the ~20 members a few were very talented and committed,
despite everyoneís inexperience and deficiency. The TRACER was a
good fanzine I stand for, even after 15 years.
A lot of things had been written about John Carpenter
and his movies. Therefore I don't want to concern myself with his work
(for now). If you want to know more about the director, I recommend following
Suspense Schock Terror - John Carpenter und
seine Filme by Frank Schnelle
Verlag Robert Fischer + Uwe Wiedleroither, 1991
Hollywoods Untoter - Das bissige Comeback von
Steady Cam #37 (the best German language
Cinefantastique Vol 10/1 1980
Cinefantastique Vol 13/2, 13/3 1982
Or visit the
official John Carpenter site. There you can discover a lot
of information, film- & soundclips, etc.
For a later time, I might add my thoughts
and poit of view about John Carpenter, but not right now.
I'm always interested in buying John Carpenter
stuff, especially US-onesheets, lobbycards & PR-material.
John Carpenter Retrospective 2016
3 clips and 13 photos from the Troxy, London, Oct. 31st & Nov. 1st 2016
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